Monday, February 28, 2011

Today in GOP Climate Denial ...

Denying climate change is de rigueur among members of the House Republican caucus. Rarely, though, do you see elected officials engaging in public debates on the science with a scientific organization. But that was exactly what has transpired as Rep. Dana Rohrabacher (R-Calif.) has taken on the Union of Concerned Scientists in a Twitter war over climate change.

Not that it's particularly surprising. This is a guy who has argued in a congressional hearing that global warming might have been caused by dinosaur farts.

Here's the full exchange:

.@danarohrabacher calls #climate change "natural." There are multiple lines of evidence human activity drives it http://goo.gl/WZsdq #hcsst
@UCSUSA Guess ancient climate cycles, like current one on Mars,which mirrors changes on earth, not product of sun but of human activity
.@danarohrabacher Human warming=fact http://goo.gl/TEAhMMars warming=myth http://goo.gl/jvBD3 Sun outputs don't=warminghttp://goo.gl/LC0TY
@UCSUSA your answer deceptive: talks Mars warming. Issue is Earth and Mars icecaps shrinking at same time. Coincidence or Solar impact?
@danarohrabacher That's a red herring about the Red Planethttp://goo.gl/GSq6g Burying your head in the Martian sands puts us all at risk
@UCSUSA U ignore issue: incredible coincidence or solar? Whose head in sand? Read e-mails, U trust your source. Warming has become change
@danarohrabacher You don't want to understand. Denier talking points aren't science. Skepticalscience.com covers all this.
@danarohrabacher CA-46 is preparing for climate change. Long Beach sees water supply impact.http://goo.gl/rQQE1 Denial doesn't help.

Here's a quick run down of why his arguments—that global warming is caused by the sun, the climate's changed before, and that Mars is also warming—are all bunk.

Source: http://motherjones.com/blue-marble/2011/02/today-gop-climate-denial

AnnaLynne McCord Emma Heming Vitamin C Scarlett Johansson Christina Ricci

What's going on inside The Box?

The cabaret show at this notorious London club is known as the wildest in town

It has only been open for a fortnight, but The Box cabaret club in London's Soho has established a reputation for being the most raucous show in town. "Do all the drugs you want. Do all the cocaine you can. Answer every fetish," is how, according to a London paper, master of ceremonies Raven O welcomes revellers shortly before the 1am showtime.

For the great and the bad, it's the new place to be seen: Kate Moss, Emma Watson and Prince Harry are among those who have seen the club's explicit two-hour show. A club-goer describes acts involving acrobatics, threesomes, and men dressed as pigs licking food off strippers' stomachs, while a paper has reported a performer, known as "Laqueefa", apparently playing well-known tunes with her genitalia.

If that all sounds completely debauched, it's apparently not as extreme as The Box's sister-club in Manhattan. "London is a little more tame than New York ? but not by much," says someone connected to the club.

Susan Sarandon might agree. Last February, transsexual performer Rose Wood covered the Oscar-winning actor with vomit ? an event presumably all too familiar for singer-songwriter Moby, who was an investor in the club before things got a bit too much. "I like degeneracy," he says, "but for The Box you really need to be in the right frame of mind. The things that go on there don't make sense to me."

Onstage sexual explicitness also descended into alleged backstage sexual harassment. In 2008, two performers known collectively as Twincest brought legal action against the owner of both clubs, Simon Hammerstein, accusing him of pressuring them into a threesome with him. The case never made it to trial, as the trio settled out of court ? and Hammerstein vigorously denies everything. "I would never threaten anyone's job or force anyone to do anything they don't want to do," he says.


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Source: http://www.guardian.co.uk/stage/2011/feb/23/box-london-cabaret-club

Jolene Blalock Nichole Robinson Monet Mazur Rozonda Thomas Rachel Weisz

Maurizio Pollini ? review

Royal Festival Hall, London

Schubert's last three sonatas, which made up the latest of Maurizio Pollini's five London recitals this season, have a unity and are hewn from the same materials in ways that Beethoven's final three, played by Pollini here two weeks ago, are not. The challenge with the three Schuberts is largely one of stamina, for the audience as much as for the player; even Alfred Brendel recommends the omission of repeats in this programme. Yet there were no such concessions here from the super-concentrated playing of Pollini. Even with his fast tempos, repeats and all, he was at the keyboard for a full two hours. A huge achievement by any standards, especially in such technically demanding writing.

Pollini's Schubert was a world away from the finely wrought Schubertian spans of the Brendel school, let alone from the Olympian architectural approach of earlier pianists like Richter or Serkin in such repertoire. As in his Beethoven, Pollini's tempos were generally fast and almost ferociously focused. The pristine bright sound of his playing was as compelling as ever, the high seriousness of intellectual purpose undeniable, but there was very little room for reflection and contrast.

This driven approach relies on the impeccable technique that has always been a Pollini hallmark, but which here, notably in the A major sonata D959, occasionally let him down ? though not, it has to be said, in the hugely demanding torrent of demi-semi-quavers that explodes into the A major's desolate andantino. Ultimately, though, it was all a bit too relentless both in phrasing and touch, an approach that worked fabulously in movements like the allegro finale of the C minor sonata D958, but less convincingly in the long opening movement of the B flat sonata D960, where it was hard not to wish that Pollini allowed the music to breathe more.

Martin Kettle

Rating: 4/5


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/music/2011/feb/28/maurizio-pollini-review

Samaire Armstrong Selita Ebanks Michael Michele Marisa Tomei Shannyn Sossamon

Andrew Young Talks Television, World Powers and the Purpose of Journalism

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Andrew Young Talks Television, World Powers and Serious Journalism

On Friday night, U.N. Ambassador, Congressman, Mayor and world citizen Andrew Young sat down with Aol. Black Voices to discuss the Emmy award he received from the National Academy of Television Arts and Sciences, social media and America's place in the world.Black Voices: How does it feel to receive this honor?

Andrew Young: It's flattering, yet it's hard for me to take it too personally, because I think all of the people that have pushed me along and propped me up.

BV: How did it feel to integrate television?

AY: You know, that had never occurred to me [that I did that]. I mean, when I came up here in 1957, I was a consultant on CBS on "Look Up and Live" and we were trying to find ways to
to use television to just get young people to think seriously about life. It was a religious program, but we didn't want it to be preachy and we didn't want it to be traditional
religion so we used jazz, we used the spirituals, we used. ... Dick Van Dyke did a pantomime. It was really breaking ground in many ways, not just racially.

I think that was one of the first programs that put people like Dave Brubeck of the jazz quartet and Bill Evans who just died not long ago [on TV]. We tried to find a way to let jazz speak. It worked on that program, but Paul Tillich, who was the leading Protestant theologian during that time, and I did a worship service.

He heard what I was doing, and he invited me to do a worship service where he was speaking and I used the records of Charlie Mingus' "Got to Get it in Your Soul," Ray Charles' the "Sinner's Prayer" and the Modern Jazz Quartet doing "Angel Eyes" and I closed it out with Horace Silver's "The Preacher."

And you didn't have to say a word, people had an experience that was real, that was meditative, that was spiritual and it was all done in music. So I'm more proud of that and the fact that we brought in new ideas to television, but honest to God, it never occured to me that I was one of the first black TV hosts. I just never thought of myself that way.

BV: How vital was television to the Civil Rights Movement?

AY: When I went to work with Martin L. King, it was my understanding of television that helped me help him hone his message. On these shows, I had sometimes 45 seconds to a minute to open up and anywhere from 60 seconds to 90 seconds to close it out.

Well, that's very hard on most preachers, but we stayed up nights trying to figure out what is the message that we are trying to get across in this demonstration and how can we say it so [people can best understand what we are saying.]

The movement could not have happened without television.

BV: What are you watching today on TV?

AY: I'm a news junkie, and since I got my iPad, I even try to get South African broadcast, BBC even Al Jazeera. I even look at Fox [News]!

BV: What do you think about black people and television today?

Well, in Atlanta we are doing pretty good. I think, for the most part, the black media people have been selected for their ability to read scripts and they're good at it, but I'm more interested in the news directors and the people who write the news. We have one of the largest television markets in Atlanta and its the market with the largest black audiences.

The problem with television today is that it's become entertainment rather than in-depth reporting.

You do get [serious reporting] with Christiane Amanpour and Bob Woodward. You do have some heavy weights out there, and I can't forget Soledad O'Brien. That's what we need to educate America about the world.

We [America] are the richest nation in the world. We have the most powerful military nation in the world, but the problems of the world are moral and intellectual, and there's nobody else that can give that type of leadership but us. And our military can do it with us and we can do it through them, but they can't do it through bombs and guns.

With the military training we did in Egypt, for instance, this is one of the things that makes Egypt different from Libya. Since many of those officers were trained in the United States, they have a sense about what the relationship is between the military and a democracy and nobody can teach people that but us.

We have to do the same thing for China, because China's going to have to get more democratic. And the question is how they respond to the demands of their citizens.

Remember Europe? When the printing press started printing the Bible and people could read it for themselves. It started a 100-year war and it was probably responsible for the founding of the United States of America.

It was people who didn't want to be under the Pope or King James, so they came over here, but that was a 100-year struggle. Our movement [the Civil Rights Movement] was at best a 20-year struggle, and because we won our struggle, I think the Polish freedom fighters learned from us and they came to me and told me that. They read our books, they read [Mahatma] Gandhi just like we did.

And the kids in China and South Africa and the decolonization effort that was started by Ralph Bunche and ended through Nelson Mandela, with Martin L. King carrying the banner through most of it. It was a tremendous period of history because we did so much and did so little damage and now the power of the Internet and Facebook and these meetups -- I don't understand that but I realize that what Martin L. King said is even more true today:

"Truth forever on the scaffold
Long forever on the throne
But the scaffold sways the future

From behind the dim unknown
Standeth God within the shadows
Keeping watch above his own."

And it just so happens that God's on the Internet too!



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Source: http://www.bvblackspin.com/2011/02/26/andrew-young-talks-television-world-powers-and-serious-journali/

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Town Halls This Week: Fargo, Grand Forks, Sioux Falls, Omaha

In our ongoing quest to meet up with listeners across the country we're headed to North Dakota, South Dakota and Nebraska, for visits that we had set up once before and had to reschedule at the last minute... I've been waiting for this for a long time. We'll host Town Halls (see below) - very informal gatherings where I'll share some Pandora history, some background on the Music Genome Project and talk about what's ahead for Pandora. I also want to hear what's on your mind - questions, complaints, ideas...everything is fair game. Direct listener feedback is one of the things that keeps us jazzed at Pandora. It should be a fun time, complete with free Pandora t-shirts!

We're stopping in Fargo, Grand Forks, Sioux Falls and Omaha. With some hefty drives in between (any recommendations you have about cool places to stop and stretch legs or get a cup of coffee or a great meal between Grand Forks and Sioux Falls or Sioux Falls and Omaha, please let us know at tour@pandora.com). The response from the local audience has been wonderful, although no one has yet offered to make sure there's no snow...

So if you have friends you think might want to drop in, point them to the info below and ask them to email us at tour@pandora.com to RSVP. Not everyone on Pandora opts in to get emails so we always miss people that we wish we could reach.

We'll be putting up pictures and videos daily from the road. Stay tuned and stay in touch, and if you're nearby, please email us and let us know you'd like to join, we'd love to have you!

Tim (Founder)

Town Hall Details:

Tuesday, November 9th
Fargo & Grand Forks

Fargo:
11.30 a.m.
Babb's Coffee House (604 Main Ave.)

Grand Forks:
7.00 p.m.
The Coffee Company (2100 South Columbia Rd, #107)

Wednesday, November 10th
Sioux Falls
7.00 p.m.
Museum of Visual Materials (500 N. Main Ave.)

Thursday, November 11th
Omaha
7.00 p.m.
The Durham Museum* (801 South 10th Street)
*Town Hall will be held in The Stanley and Dorothy Truhlsen Lecture Hall

Fargo.jpg

downtown-farmer-s-market.jpg

sioux-falls.jpg

800px-Omaha.jpg

Source: http://blog.pandora.com/pandora/archives/2010/11/town-halls-this.html

Yvonne Strzechowski Rhona Mitra Kelly Rowland Danica Patrick Josie Maran

Serge Gainsbourg's 20 most scandalous moments

From writing saucy songs for Brigitte Bardot to propositioning Whitney Houston on TV, we recall the causes c�l�bres of France's premier pop poet

Twenty years ago this week saw an event that brought the entire French population to a standstill. It was the day that Serge Gainsbourg ? France's answer to David Bowie, Mick Jagger and John Lennon rolled into one smoke cloud of controversy ? died of a heart attack. So what better way to commemorate his life and legacy than a look at the 20 most scandalous things he achieved during his career?

1. Writing suggestive songs for Eurovision-winning 18-year-old girls

1965 saw Frrench sweetheart France Gall take to the Eurovision stage to perform a Gainsbourg-penned entry, Poup�e de Cire, Poup�e de Son (later covered by Arcade Fire). A resounding win at the competition, combined with the success of their previous collaborations such as 1964's Laisse Tomber Les Filles led Gall to trust Gainsbourg to a point that she would sing more or less whatever he presented her with. A trust that would be well and truly scuppered with the release of Les Sucettes (Lollipops) in 1966, the story of a girl who is "in paradise" every time "that little stick is on her tongue". Upon discovering the dual meaning of the risqu� lyrics, Gall refused to perform the song and never worked with, nor spoke to Gainsbourg again.

2. Dating the already married Brigitte Bardot

In 1967 Gainsbourg became infatuated with the French siren who, while enduring a difficult time in her marriage, agreed to go on a date with him. So intimidated was he by her stunning looks that on the date, he lost all of the wit and charisma that he was renowned for. Thinking he had ruined his chances with the sultry blonde, he returned home to hear a ringing phone over which Bardot insisted that as an apology for his poor performance on the date, he write her the most beautiful love song ever heard. The next morning, there were two: Bonnie et Clyde and Je T'aime ? Moi Non Plus.

3. Recording songs in steamy, sweaty vocal booths (also with Brigitte Bardot)

Understandably, this upset Bardot's husband. Upon hearing Je T'aime ? Moi Non Plus, Bardot headed to a Parisian studio with her new beau to record it. Throughout the two-hour session, sound engineer William Flageollet claimed to have witnessed "heavy petting" in the vocal booth while the sighs and whispers were committed to tape. The song had been mixed and readied for radio when Bardot, remembering that she was married, revoked her consent for its release. News of the recording had reached her husband, German businessman Gunter Sachs, and after desperate pleas, Gainsbourg relented to Bardot's wishes and the version was shelved. Bardot later went on to release the recording in 1986. And also to divorce her husband.

4. "Enticing" and entrapping a young English rose

This was how the wooing of his next major love interest was widely reported, but it's not necessarily the truth. Distraught after the collapse of his relationship with Bardot, Gainsbourg occupied himself with a role in the 1969 film Slogan. Playing opposite him was a charming, young English actor called Jane Birkin. Under the impression that her co-star hated her, Birkin arranged a dinner with him over which Gainsbourg, 18 years her senior, fell in love. Unfortunately, due to the amount of alcohol consumed throughout the date, the first night the pair spent together was in a hotel room ... with Gainsbourg passed out drunk on the bed. The pair would remain a couple until 1980, and inseparable friends until the end of Serge's life.

5. Moaning and groaning on record

After shelving the original Bardot recorded version, Marianne Faithfull and Val�rie Lagrange (among others) were approached to make feminine "noises", as it were, but both declined. A willing companion was, however, found in new love interest Jane Birkin. Rumours had circulated that the pair recorded some of the more intimate parts of the song by placing a microphone underneath their bed. In actual fact, the re-recording was undertaken in studios in Paris and London where the heavy breathing was claimed to have been meticulously stage-managed by Gainsbourg. Birkin has always denied the rumours of employing the under-bed recording technique ... for this song, anyway.

6. Getting rich by shocking the world

Je T'aime ? Moi Non Plus brought huge success, notoriety, substantial record sales and worldwide outrage when it was finally released in 1969. It was No 1 throughout Europe, and was the first UK No 1 to be sung in a language other than English. By far Gainsbourg's most successful release, the song is recognised internationally as "that one with the organs and the girl having an orgasm?". The single sold millions and set the tone for what was to come next from the scandalous pair.

7. Getting banned by radio

Even though millions of copies of Je T'aime ... Moi Non Plus were sold around the world, the song was still considered too explicit for radio play. In the UK, it was the first No 1 to be banned by the BBC due to its explicit content. It was also banned in Spain, Sweden, Italy and even on French radio before 11pm. It has also been claimed that the Italian executive who permitted the release of the song was excommunicated by the Vatican, and in the US, limited sales and radio play led the single to peak at the oddly appropriate chart position of 69. However, Americans and Italians used thriftiness to get hold of the records, and in the end, all of this publicity didn't do the sales much harm at all.

8. Writing a concept album about falling in love with a teenage girl, who subsequently dies in a plane crash

This was always going to raise a few eyebrows, particularly when you get your young girlfriend to pose as the eponymous teenage seductress for the album cover. 1971's Histoire de Melody Nelson was Gainsbourg's first concept album, the story of a man who knocks a young redhead from her bicycle and falls in love with her. An ultimately tragic tale, the album is now recognised much more for its musical prowess than any underlying Lolita-inspired tones. With strings and arrangements orchestrated by the profoundly talented Jean-Claude Vannier, musicians from Beck through to Placebo and Portishead have cited this album as hugely influential on their work, demonstrating once again how Gainsbourg could overcome a scandal to emerge the immensely gifted hero.

9. Suffering his first heart attack at 45

In 1973, at the relatively young age of 45, Gainsbourg's years of smoking and drinking began to catch up with him and in May, he suffered his first heart attack. After collapsing in his museum-like home on Rue de Verneuil in Paris's trendy St Germain, an ambulance arrived to take him to hospital. Before leaving the house however, Gainsbourg insisted he be covered with his highly fashionable, extremely valuable Herm�s blanket as the hospital's "own brand" ones were too ugly. Typical Gainsbourg, always one to go out in style.

10. Performing publicity stunts in hospital beds

While recovering from his heart attack, Gainsbourg began to miss the spotlight so called a press conference from his hospital bed during which he claimed he would reduce the risk of suffering a second heart attack by "increasing his intake of alcohol and cigarettes". Found hidden around his hospital room on his departure were pill bottles stuffed with cigarette butts, from the sneaky smokes he'd been illicitly enjoying while "recovering".

11. Casting his girlfriend in the role of the boyish-looking lover of a homosexual man

This is what Serge riled people with in 1976. The Gainsbourg-directed film, which shared the title of his hugely successful song Je T'aime ... Moi Non Plus was a complicated, explicit story following the difficult relationship of a gay man who falls in love with a boyish female (Birkin), and the sexual problems and emotional difficulties this inevitably leads to. The film was poorly received in France, and even more so in England where it was shown on only one screen ? in an adult cinema in Soho.

12. Embracing Nazi rock

Paris, 1975. Thirty years after the end of the second world war. This would be a good moment, Gainsbourg thought to himself, to release Rock Around the Bunker, an upbeat concept album about Nazi Germany. The songs were set to swinging two-step beats, a return to a rockier feel after a few albums exploring more orchestral sounds. Opening track Nazi Rock tells the story of SS soldiers dressed as drag queens, dancing during the Night of the Long Knives. This song, combined with other tracks from the album such as Eva and SS in Uruguay led Gainsbourg, provocative as ever, to find himself in trouble for his comical take on a controversial subject.

13. Releasing a reggae version of the French national anthem

This has a tendency to incite hatred among your fellow countrymen. A stint in Jamaica was where Gainsbourg recorded his 1979 reggae-inspired effort, Aux Armes Et Caetera, of which the title track was a cover of the French national anthem, La Marseillaise. The album was a collaboration with reggae legends Sly & Robbie, who accompanied Gainsbourg on a subsequent tour that was plagued with bomb threats, cancellations and disgruntled protesting paratroopers. However, in true Gainsbourg style, the controversy was manipulated to work to his advantage, and the album eventually became one of his fastest sellers. Aux Armes Et Caetera sold more than 600,000 copies in France and is considered to be one of the earliest albums to have brought reggae to the mainstream.

14. Turning his house into a black, fabric-lined museum

Gainsbourg claimed to need the calming influence of black at his St Germain home to counter the relentless activity in his brain. Each item of his extravagant collection of objects was specifically placed around his house and according to Birkin, Gainsbourg would know if anything had been touched or moved. Surrounded by beautiful things, but also compelled by an impulse that would probably be described today as OCD, Gainsbourg strived to keep his home exactly as he wanted it. Being unable to treat the house as a home was reportedly one of the contributing factors to Birkin leaving him in 1980.

15. Setting a 500 franc note alight on French TV

For one thing, this was illegal. Yes. even if you are Serge Gainsbourg. 1984 would prove to be one of his more audacious years, seeing him cause all kinds of stirs. It was in this year that Gainsbourg burned a 500 franc note live on French TV in a protest against heavy taxation. Although an offence punishable by law, Gainsbourg would feel the heat from a different direction. As a reaction to the extravagant behaviour of her father, Charlotte's classmates would retaliate by setting her homework on fire, punishing her for her father's disregard for money.

16. Releasing a duet with his teenage daughter entitled Lemon Incest

This caused one of the biggest scandals of Gainsbourg's career. Recorded with 12-year-old daughter Charlotte in 1984 (as previously mentioned, one of his more outlandish years), the song caused uproar in France, and even made headlines in the UK. The title, a play on similarities between the words "zest" and "incest" was considered shocking enough, but it was the video that would be the major source of complaint. Young Charlotte was filmed in a nightshirt and knickers lying on a bed with her topless father, singing about "the love that we will never make together". The world was outraged, but the publicity led to increased album sales with Serge and Charlotte subsequently made a huge amount of money, proving Gainsbourg's recipe for success, once again, to be a winning one.

17. Promoting sexually driven puns

Looking again to 1984, as though inspired by George Orwell's authority-battling ideas, Gainsbourg once again managed to outrage the nation. In this year Love On the Beat was released, the title of the album being a play on the word "bite", a colloquial French term meaning "dick". The album was surrounded by controversy for Gainsbourg's application of sexually driven puns. Also featuring his most highly contested release, Lemon Incest, Love On the Beat would go on to become his most provocative album.

18. Explicitly stating his sexual desires to Whitney Houston on French TV

After a performance on the French prime time show of Michel Drucker in 1986, Houston found herself seated next to France's most notorious lothario for a post-performance chat. Little did she expect that the praise she would receive would turn into something sordid as Gainsbourg, in his best English clearly and confidently informed his host that he wanted "to fuck her". Houston's already highly blushed cheeks deepened a shade, and the scenario has never since been forgotten.

19.Taking his twisted ideas and ... making a movie out of them

As if the hysteria surrounding Lemon Incest hadn't provided quite enough drama for the Gainsbourgs, in 1986 Serge took it a step further when he wrote and directed Charlotte Forever, the story of a young girl (played by his daughter Charlotte) living with her widowed, alcoholic father. The film intertwined stories of incest and suicidal tendencies that French audiences found distasteful and difficult to understand. This reaction was upsetting for all involved in the film and to make things up to his daughter, Gainsbourg wrote her an album of the same name with poignant, touching duets. His audience forgave him, and Serge went on to record his final release, a rap album entitled You're Under Arrest.

20. Dying in style

Serge Gainsbourg would be found dead after suffering another heart attack at his home in Rue de Verneuil. It seems his decision to preserve his health by smoking and drinking even more didn't quite work out. France stood still on hearing the news, and fans flocked to his home to pay tribute to the country's most illustrious rock star. Fran�ois Mitterrand, the president at the time, described Gainsbourg as "our Baudelaire, our Apollinaire ... he elevated song to the level of art". Although leaving a legacy of scandal, drama and controversy, Gainsbourg is now remembered much more for his artistic ability, music and charisma. Serge Gainsbourg is still a highly debated, yet widely adored character. He also achieved what he intended, to have us all talking about him, even 20 years after his death.


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Source: http://www.guardian.co.uk/music/musicblog/2011/feb/28/serge-gainsbourg-20-scandalous-moments

Scarlett Chorvat Kim Smith Hilary Duff Lake Bell Haylie Duff

Gerard Butler Enjoys Vanity Fair Oscar Party

Stepping out for a star-studded evening, Gerard Butler was spotted at the Vanity Fair Oscar party last night (February 27).

The ?P.S. I Love You? stud looked to be having a great time as he chatted with fellow actor Jason Bateman at the Sunset Tower Hotel in West Hollywood.

And of course, Mr. Butler was dressed to impress, sporting a Ferragamo tuxedo as he caused female attendees to swoon.

Earlier in the weekend, Gerard was in the house for the Film Independent Spirit Awards Voter Party before hitting up the Montblanc cocktail party.

Source: http://celebrity-gossip.net/academy-awards-2011/gerard-butler-enjoys-vanity-fair-oscar-party-481604

Asia Argento Charisma Carpenter Hilarie Burton Kelly Carlson Sara Foster

Phone hacking: Mulcaire must reveal who hired him in Coogan case | Owen Bowcott

Court orders private investigator to divulge identity of executives who commissioned him to hack Steve Coogan's phone

Glenn Mulcaire, the private investigator at the centre of the News of the World phone-hacking case, has been ordered by the high court to reveal the names of executives who commissioned him.

The court ruled that Mulcaire, whose contract with the Rupert Murdoch-owned tabloid was worth �100,000 a year, could not refuse to answer questions about his work on the grounds of self-incrimination.

In legal actions brought by the comedian Steve Coogan and the former Sky Sports presenter Andy Gray, Mulcaire must now respond to inquiries about the names of News of the World journalists who ordered his services and the identity of celebrities whose phones were hacked.

Coogan is suing Mulcaire and the News International subsidiary News Group for breach of privacy for allegedly hacking into voicemail messages left on his mobile phone.

Mulcaire has already admitted passing phone intercept information to several individuals working on the News of the World news desk.

Delivering judgment, Mr Justice Vos accepted that there was now "abundant evidence that Mr Gray's voicemails were intercepted and a strong inference that some misuse will have been made of the confidential information thereby obtained."

He added: "The 12 calls that have already been proved may well not be the whole story."

In terms of revealing the identities of the News of the World journalists who instructed them and the extent of Mulcaire's target list, the judge ruled that the convicted private investigator must answer virtually all the questions submitted by Coogan's and Gray's lawyers.

"These requests are relevant," Vos said. "It is alleged that [the News of the World and Mulcaire] were intercepting telephone voicemail on an industrial scale.

"It will be important to the claimant's case to establish the pattern of the ... interception activities. The general practice that Mr Mulcaire adopted in taking instructions from and reporting to journalists in admitted cases will... be relevant to the existence of the conspiracy alleged.

"The identity of the other targeted names and the people who helped identify those names and the manner in which it was done will be relevant to the conspiracy between News Group Newspapers [owners of News of the World] and Mr Mulcaire."

Mulcaire, he said, could not rely on "the privilege against self-incrimination" to refuse to respond to the questions. Only one request put by the claimants was disallowed on the grounds that it constituted a "fishing expedition".

Vos granted Mulcaire's lawyers leave to challenge the ruling on self-incrimination in the appeal court. The judge, however, refused permission to appeal over the issue of identifying Mulcaire's other victims.

Mulcaire was jailed in 2007, along with the News of the World royal editor Clive Goodman, for hacking into phones belonging to staff at Buckingham Palace. Mulcaire received a six-month sentence, while Goodman was sentenced to four months.

Lawyers for the Metropolitan police have claimed so many messages are being examined by the force's phone-hacking inquiry that it is difficult to identify every mention of a celebrity's name among "hundreds of intercepts".

The proliferation of legal actions generated by complaints against the News of the World is also in danger of congesting the courts with "parallel claims", the judge hearing applications for disclosure in three other cases has suggested.

? To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 3353 3857. For all other inquiries please call the main Guardian switchboard on 020 3353 2000.

? If you are writing a comment for publication, please mark clearly "for publication".


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Source: http://www.guardian.co.uk/media/2011/feb/25/phone-hacking-case-mulcaire-coogan

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Ricky Gervais mocks net worth reports

Comedian announces plans to take over Libya after learning via a celebrity website his fortune has reached some $80m or so

Ricky Gervais has jokingly announced plans to buy millions of scratchcards and take over Libya after a website listed him as one of the richest comedians in the world.

The Reading-born comic said his listing at Celebrity Networth, which claims he is worth $80m (�49.2m), was "spot on". Writing on his blog, he said: "Wow! I think there must be a leak at my accountants ... I know it sounds a lot, but remember, I donate a lot of this to good causes. (The Inland Revenue mainly.)

"Now this is out, I will have to get my family a million scratchcards each for Christmas. I have decided to use the rest of the money to take over Libya."

Gervais's net worth will no doubt have climbed a million or two following his hosting appearance at last month's Golden Globes, which made headlines around the world. He sparked controversy thanks to an opening routine that poked fun at various nominees and jokingly suggested the judges took bribes.

Meanwhile, the US version of his breakthrough comedy, The Office, has been sold into syndication and the second series of The Ricky Gervais Show is currently screening on HBO. Gervais's second appearance on The Simpsons also aired in the US earlier this week. "Last time I had to write it, fly out to LA, do a read through and record it with all the cast," he wrote on his blog. "This time I went into a studio in Hampstead and adlibbed like a motherfucker for 20 minutes. Nice."


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/culture/2011/feb/23/ricky-gervais-mocks-net-worth-reports

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Quote of the Week: "YouTubes Are Infallible"

Photo: Office of Rep. Leo BermanPhoto: Office of Rep. Leo BermanHere's Texas state rep. Leo Berman explaining to Reeve Hamilton why he suspects the President of the United States was not born in the United States:

"I'm just a person who wants to see fact," he said.

Though the Obama campaign produced a certificate of live birth from Hawaii, Mr. Berman was not swayed. "The latest rumor I hear, and I don't know if this is true or not," he said, "is that he's used about 25 different Social Security numbers."

Mr. Berman said he got his information from e-mail and online video clips. "YouTubes are infallible," he said.

Emphasis mine. Anyways, as a test of Berman's universal theory of YouTubes infallibity, I present this 100-percent-true documentary about how Denver International Airport is actually a New World Order death camp. No, really it's true; I saw it on YouTube:

Source: http://motherjones.com/mixed-media/2011/02/americas-worst-state-legislator-leo-berman

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?Yesterday I was a demonstrator. Today I build Egypt.?

Wendell Steavenson recaps the revolution: I caught up with [Sherif Omar, medic to the protesters] and asked him about his group of political activists. They had decided that they would continue to meet and discuss ways in which they could...


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NEStalgia is a retro-tastic 8-bit multiplayer online RPG

NEStalgiaFor those of you longing for the long lost days of NES RPGs, NEStalgia brings the classic 8-bit action into the 21st century -- with a few added perks here and there.

Dubbed by its own developers as "Dragon Warrior 3 meets World of Warcraft," NEStalgia lets you wage turn-based battles using a multiplayer system while also having a full-featured quest system, plenty of loot to find, and even an Auction House for item trading.

After you join the game, you create a hero and then play against friends and strangers. Customization is a big part of the game, as you can dress up your character in whatever clothes and armour you like, choose whichever class suits your playing type, and even create your own guild -- which comes with its own customizable cape.

NEStalgia is free to download and play, however you need to register with the BYOND game system so you can save your games and stats. If you want to support the developers, you can go for an optional yearly subscription that will give you a few extra, but non-essential features, such as additional character classes and even more ways to customize your character's appearance.

To play NEStalgia, head to this page and start your download. You'll need Windows, a 500 MHz processor, 512 MB of RAM, and (obviously) an internet connection.

NEStalgia is a retro-tastic 8-bit multiplayer online RPG originally appeared on Download Squad on Thu, 24 Feb 2011 17:00:00 EST. Please see our terms for use of feeds.

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Sunday, February 27, 2011

Tim Westergren on CNBC

Source: http://blog.pandora.com/pandora/archives/2010/09/tim-on-cnbc-1.html

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Microsoft Security Essentials vulnerability reminds that security risks are everywhere

Microsoft recently delivered a patch for its malware and antivirus tools, including Security Essentials, Windows Defender, MSRT, and Forefront -- its enterprise antivirus solution. The patch addresses a flaw in Microsoft's scanning engine which could allow an attacker who had a valid username and password to gain elevated rights on a system.

As is often the case with these flaws, the fact that the attacker has valid credentials is arguably a bigger problem than the vulnerability itself. However, there's an important takeaway: at any time, any program on your computer could be putting you at risk. Even your antivirus or anti-malware app.

It's important (and imperative) to keep your operating system and apps as up-to-date as possible. It also helps to know what other programs you can use to ensure your system is safe. Free Windows programs like Secunia PSI -- which scans your system for vulnerable programs -- and Returnil's System Safe -- which lets you complete roll back changes to your computer, including those made by malware -- can be a big help in locking down your system.

Microsoft Security Essentials vulnerability reminds that security risks are everywhere originally appeared on Download Squad on Sat, 26 Feb 2011 10:00:00 EST. Please see our terms for use of feeds.

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